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	<title>Steganography - Revision history</title>
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		<summary type="html">&lt;p&gt;Converted from site HTML fragment to wikitext: citations, categories, cross-links&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Cryptography hides what a message says. Steganography hides that a message exists at all — an encrypted file announces &amp;quot;there&amp;#039;s a secret here,&amp;quot; a steganographic one doesn&amp;#039;t. The word is Greek for &amp;quot;covered writing,&amp;quot; and the technique predates computers by millennia: Herodotus records a Greek noble tattooing a message onto a slave&amp;#039;s shaved scalp, then waiting for the hair to grow back over it before sending him through enemy territory.&amp;lt;ref&amp;gt;[https://en.wikipedia.org/wiki/Steganography Steganography — Wikipedia]&amp;lt;/ref&amp;gt; The digital version most modern tools use — LSB (least-significant-bit) encoding — swaps the lowest, least visually significant bit of each color channel in an image for a bit of the hidden message, nudging every affected pixel&amp;#039;s color by an amount too small to see. It&amp;#039;s also fragile on purpose: anything that recompresses the image (a JPEG re-save, an upload to a site that reprocesses photos) scrambles those low bits and destroys the message, which is why LSB tools generally only ever output PNG.&lt;br /&gt;
&lt;br /&gt;
== From pigeons to pixels ==&lt;br /&gt;
The technique kept reinventing itself with whatever medium was available. During the siege of Paris in the Franco-Prussian War (1870–71), photographer Ren&amp;amp;eacute; Dagron used microfilm to let a single carrier pigeon smuggle huge volumes of correspondence past the blockade — not steganography in the strict &amp;quot;hidden&amp;quot; sense (everyone knew pigeons carried messages), but the direct ancestor of the microdot: a photograph reduced until it&amp;#039;s the size of a printed period. Emanuel Goldberg formalized the two-stage reduction process for true microdots in 1925, and by World War II, German intelligence was mailing them concealed on ordinary-looking letters, embedded in the depth of a &amp;quot;.&amp;quot; on a typed page, or hidden on couriers&amp;#039; clothing and even inside dolls carried as gifts — the FBI&amp;#039;s wartime Special Intelligence Service spent years unraveling espionage rings across Latin America built partly around exactly this delivery method.&amp;lt;ref&amp;gt;[https://www.fbi.gov/history/famous-cases/nazi-saboteurs FBI History: Famous Cases — Nazi Espionage]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== A case the medium itself gave away ==&lt;br /&gt;
Digital image steganography isn&amp;#039;t just a classroom exercise — it&amp;#039;s shown up in real intelligence work. In 2010, the FBI&amp;#039;s decade-long Operation Ghost Stories ended with the arrest of ten Russian intelligence officers living under deep-cover American identities. Part of how they communicated with Moscow was embedding encrypted messages into ordinary-looking images and posting them to public websites, where handlers would download the same images and extract the hidden payload with matching software.&amp;lt;ref&amp;gt;[https://www.justice.gov/archive/opa/pr/2010/June/10-nsd-708.html Ten Alleged Secret Agents Arrested in the United States — US Department of Justice, 2010]&amp;lt;/ref&amp;gt; The steganography itself reportedly held up — what didn&amp;#039;t hold up was everything around it (tradecraft mistakes, physical surveillance, a cooperating source), which is the pattern in essentially every real steganography case that&amp;#039;s ever become public: the hidden-message layer is rarely the point of failure.&lt;br /&gt;
&lt;br /&gt;
== How steganalysis actually catches it ==&lt;br /&gt;
Detecting LSB steganography specifically doesn&amp;#039;t require breaking any code — it requires noticing that &amp;quot;real&amp;quot; pixel data (from a camera sensor, or ordinary JPEG compression) has statistical noise patterns that are subtly different from noise generated by flipping bits to encode a message. Techniques like chi-square attacks and RS (regular/singular) analysis look for exactly that mismatch: an image that&amp;#039;s had data embedded in its low bits tends to have measurably different statistical structure in those bits than one that hasn&amp;#039;t, even though nothing is visible to the eye.&lt;br /&gt;
&lt;br /&gt;
== Beyond images ==&lt;br /&gt;
LSB-in-images is the easiest version to build and to explain, but it&amp;#039;s one technique among many. Audio steganography hides data in similarly inaudible bit-level or frequency-domain changes; video steganography gets an entire extra dimension (time) to spread a payload across; and text steganography ranges from crude (invisible Unicode characters, trailing whitespace patterns) to genuinely clever (choosing between synonymous words or sentence structures according to a hidden bit pattern). Statistical structure that looks meaningless but resists every attempt to explain it away is also the entire premise of the [[The Voynich Manuscript Nobody Can Read|Voynich Manuscript]] — the open question there is whether anyone will ever find the equivalent of a working steganalysis technique for a 600-year-old handwritten codex.&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[The Voynich Manuscript Nobody Can Read]]&lt;br /&gt;
* [[Kryptos: The Puzzle the CIA Still Hasn&amp;#039;t Confirmed]]&lt;br /&gt;
&lt;br /&gt;
[[Category:History]]&lt;/div&gt;</summary>
		<author><name>GAMA</name></author>
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